Following an extraordinarily long run of consecutive work, in Croatia, London and Oxford, I returned to Oxford to record choral works by Mozart and Haydn under the baton of Paul Brough, with Instruments of Time & Truth and the excellent Choir of Keble College Oxford. Adrian Peacock was the producer. We recorded Mozart’s Missa in C major [K. 258] on Saturday 2nd October

I performed Mozart’s Vesperae solennes de confessore [K. 339] at SJE Arts (St. John the Evangelist Church) on Iffley Rd in Oxford on Friday 1st October 2021. I last performed at SJE Arts in 2015. On this occasion I played with the Oxford-based orchestra, ‘Instruments of Time & Truth’. We played in the 11am concert, which was part of the Divine Office Festival, promoted by Martin Randall

It all began with doubt as I boarded the train towards London St. Pancras. In light of the coronavirus situation French entry requirements had changed just 10 hours before I travelled, which left some doubt as to whether I would be permitted to get even as far as the Eurostar lounge. Luckily, entry was permitted. I travelled to Puteaux, to the west of Paris where I would be in quarantine. Other Parisians

After an 'interval' of 172 days since my last concert (at York Minster in March), it was a great pleasure and huge relief to play live music with the Brandenburg Sinfonia for their Last Night of the Proms-inspired outdoor performance in the grounds of Hever Castle in Kent on Sunday 30th August 2020. View this post on Instagram First actual gig in 172 days! A post shared by Russell

I arrived in Paris during a heatwave, the day after France's warmest temperature of 45.9°C was recorded in Gallargues-le-Montueux on 28th June 2019.Our Eurostar had been slightly delayed, but we managed to make it to Colline d'Asie before it closed to enjoy nem and pho in an authentically humid climate! After dinner I had arranged for Will and I to meet a friend who had been with us on the tour of

This week continued with more Mozart, this time at St. John’s Smith Square on Wednesday 3rd April 2019. Will Russell (2nd trumpet) and I (1st trumpet) played natural trumpets with Musica Poetica and the English Baroque Choir under the direction of former King’s Singer, Jeremy Jackman.The programme consisted of Biber’s Requiem in F Minor [IHB 17] and Mozart’s Mass in C Minor [K. 427], both performed

On Saturday 30th March 2019 I traveled to St. Peter’s Church on Leigham Court Road in Streatham to perform Mozart’s Krönungsmesse (Coronation Mass) [K.317] and Vesperae Solennes de Confessore [K.339] with the Brandenburg Sinfonia and Streatham Choral. The well-attended concert, entitled Mozart Masterpieces, featured Ave Verum Corpus [K. 618], Vesperae Solennes de Confessore, Exultate Jubilate

Les Talens Lyriques performed Mozart’s azione sacra (literally ‘sacred action’) Betulia Liberata [K.118/74c] under the direction of Christophe Rousset in Salzburg’s Mozartwoche 2019. The concert took place in Salzburg’s Haus für Mozart on Sunday 27th January 2019, exactly 263 years after Mozart's birthday on the 27th January 1756. La Betulia Liberata is based on the biblical character of

London’s Cadogan Hall was the venue for a concert given by the choir of Goldsmiths Choral Union and the period instrument orchestra Musicians of London. The concert took place on Tuesday 31st of October 2017 and it featured Haydn’s Te Deum, Mozart’s Vespers [K.339] and Beethoven’s Mass in C. The large forces of Goldsmiths Choral Union did an excellent job with these pieces, ably led by their

I performed (on modern trumpet) with the Meridian Sinfonia, who accompanied the North London Chorus, conducted by Murray Hipkin. The ensemble performed music by Mozart and Matthew King (the latter was present at the performance) at St. James’s Church, Muswell Hill on Saturday 17th of June 2017 (incidentally, my 29th birthday). The soloists were: Lucy Knight (soprano), Martha Jones (mezzo-soprano),

‘Gloria in Excelsis’, ‘Sanctus’ and ‘Agnus Dei’ from Mozart’s ‘Coronation Mass’ (K.317) were performed as parts of the Easter Sunday service (Sung Eucharist with Holy Baptism) at the Parish Church of St. Anne in Kew Green on Easter Sunday, 16th April 2017. I played first trumpet in the orchestra, directed by Chad Kelly. The Choir of St. Anne’s Kew Green sang brilliantly under Chad’s

I performed Haydn’s ‘Nelson Mass’ and Mozart’s ‘Requiem’ at St Mary’s Collegiate Church in the Old Square in Warwick on Saturday 11th of March 2017. Thomas Corns directed the Choirs of St Mary’s Collegiate Church and the period instrument orchestra, led by Lucy Russell.Imogen Russell (soprano)Judy Brown (mezzo-soprano)Matthew Sandy (tenor)Edmund Saddington (bass)For Mozarts Requiem’

A performance of Mozart’s ‘Requiem’ took place at St. Anne’s in Kew Green for the 'commemoration of the faithful departed’ service on All Souls’ Day. The Requiem Mass was held from 18:30 until 19:30 on Sunday 30th of October 2016.Chad Kelly directed the St. Anne's Choir and an orchestra of reduced forces (namely: Violin I, Violin II, Viola, Cello, Cor Anglais I, Cor Anglais II, Bassoon

St. Martin-in-the-Fields was the venue for a candlelit concert on Saturday 28th of May 2016. The Brandenburg Sinfonia performed music by Mozart and Haydn with the professional choir of St. Martin’s Voices, led by St. Martin-in-the-Fields’ Director of Music, Andrew Earis. On this occasion, the orchestra played on modern instruments and I played in a section with Paul Archibald. The concert began

20th - 22nd June saw another visit to the charming city of Wrocław in Poland. I was joined by Matthew Manchester, as he happened to be back in Britain from Australia at the perfect time to be able to fit this little tour into his schedule. It was great to be able to play with him again, as the last time was in Australia doing a tour of Monteverdi's L'Orfeo in 2012.We played two concerts in Poland