Mozart and Friends - Les Talens Lyriques - Montereau & Würzburg
25 May 2024, 21:00I performed the programme ‘Mozart and Friends’ with Les Talens Lyriques and the bass soloist Benjamin Appl. Rehearsals took place at La Seine Musicale in Paris, with the first concert at ‘Le Majestic’ in Montereau (around an hour south of Paris) on Wednesday 22 May 2024, and two subsequent performances in the Würzburg Mozartfest (Friday 24 and Saturday 25 May).
It was great to revisit this programme after very successful and memorable performances in Kraków and Paris last year.
I last visited Würzburg in June 2021. On that occasion my experience was somewhat muted—pun intended, as we were playing Mozart’s Idomeneo (which features muted trumpets)—but in all seriousness, our trip was somewhat inhibited by the pandemic: we had to show letters at passport control to travel for work, quarantine upon arrival, and observe a 10-day quarantine upon return; concert audiences had to wear masks, and tourism was very limited—simply stopping to enjoy the view from the Alte Mainbrücke was not permitted. So it was with great delight that I was able to revisit this wonderful city for the Mozartfest, once again with Christophe Rousset and his orchestra, Les Talens Lyriques. It was wonderful to see the city in full swing, so to speak: the previously deserted market was thriving and locals and tourists alike enjoyed a convivial glass of wine on the narrow (formerly pandemic-restricted) medieval stone bridge over the River Main.
Just before the second concert in Würzburg, I heard news from the Isle of Man that the wonderful bass singer Allan Wilcocks has passed away, at the age of 90. I had the pleasure of performing ‘The Trumpet Shall Sound’ with Allan on several occasions (it was, without doubt, with him that I first performed the aria). We were always pleased to see each other in Strand Street or at the Guild (the Manx Music, Speech and Dance Festival). He has been described as a leading light of the Guild and he often used to introduce the brass classes. I’d like to dedicate my performance in the Würzburg Mozartfest to Allan, who would have loved listening to the orchestra with the bass soloist Benjamin Appl.
It was great to revisit this programme after very successful and memorable performances in Kraków and Paris last year.
I last visited Würzburg in June 2021. On that occasion my experience was somewhat muted—pun intended, as we were playing Mozart’s Idomeneo (which features muted trumpets)—but in all seriousness, our trip was somewhat inhibited by the pandemic: we had to show letters at passport control to travel for work, quarantine upon arrival, and observe a 10-day quarantine upon return; concert audiences had to wear masks, and tourism was very limited—simply stopping to enjoy the view from the Alte Mainbrücke was not permitted. So it was with great delight that I was able to revisit this wonderful city for the Mozartfest, once again with Christophe Rousset and his orchestra, Les Talens Lyriques. It was wonderful to see the city in full swing, so to speak: the previously deserted market was thriving and locals and tourists alike enjoyed a convivial glass of wine on the narrow (formerly pandemic-restricted) medieval stone bridge over the River Main.
We once again performed in the resplendent Kaisersaal in the imposing Residenz Würzburg. We enjoyed two wonderful concerts in this generously reverberant acoustic; the second was broadcast live on the German radio station Bayerischer Rundfunk.
Just before the second concert in Würzburg, I heard news from the Isle of Man that the wonderful bass singer Allan Wilcocks has passed away, at the age of 90. I had the pleasure of performing ‘The Trumpet Shall Sound’ with Allan on several occasions (it was, without doubt, with him that I first performed the aria). We were always pleased to see each other in Strand Street or at the Guild (the Manx Music, Speech and Dance Festival). He has been described as a leading light of the Guild and he often used to introduce the brass classes. I’d like to dedicate my performance in the Würzburg Mozartfest to Allan, who would have loved listening to the orchestra with the bass soloist Benjamin Appl.
A wonderful interview with Allan, preserved as part of Culture Vannin's oral history, can be found here.
I did the journey entirely by rail: 1) Bedford–London, 2) London–Paris, 3) Paris–La Seine Musicale, 4) La Seine Musicale–Paris, 5) Metro to Gare de Lyon 6) Paris–Montereau, 6) Metro from Gare de Lyon, 7) Paris–Frankfurt, 8) Frankfurt–Würzburg, 9) Würzburg–Frankfurt, 10) Frankfurt–Brussels, 11) Brussels–London and finally, 12) London–Bedford.
I will be returning to Würzburg to play Cosí fan tutte in the Mozartfest in just a couple of weeks; Christophe Rousset is a featured artist of this year’s festival. In the meantime (after only 24 hours at home), I will be returning to Belgium and Germany to revisit Handel’s Jephtha, in Namur and Halle.
In other news my book, www.justnaturaltrumpet.com is tantalisingly close to being ready to print; I received the final proof just before departing for the beginning of this project. I’m very much looking forward to sending it to print!
I did the journey entirely by rail: 1) Bedford–London, 2) London–Paris, 3) Paris–La Seine Musicale, 4) La Seine Musicale–Paris, 5) Metro to Gare de Lyon 6) Paris–Montereau, 6) Metro from Gare de Lyon, 7) Paris–Frankfurt, 8) Frankfurt–Würzburg, 9) Würzburg–Frankfurt, 10) Frankfurt–Brussels, 11) Brussels–London and finally, 12) London–Bedford.
I will be returning to Würzburg to play Cosí fan tutte in the Mozartfest in just a couple of weeks; Christophe Rousset is a featured artist of this year’s festival. In the meantime (after only 24 hours at home), I will be returning to Belgium and Germany to revisit Handel’s Jephtha, in Namur and Halle.
In other news my book, www.justnaturaltrumpet.com is tantalisingly close to being ready to print; I received the final proof just before departing for the beginning of this project. I’m very much looking forward to sending it to print!
Russell Gilmour
writing on music, photography, engraving, travel and life as a freelance professional musician.
Russell Gilmour's innovative new book, 'Just' Natural Trumpet, is now available: please click here for more information.
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Bach
Baroque
Baroque Style
BBC Proms
Beethoven
Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
Natural Trumpet Courses
OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
Touring
Toyota Classics Tour 2018
Travel
Trumpet
Trumpet and Organ
Venice
Ventless
Vivaldi
Vox Luminis
Wedding
Wigmore Hall
Workshop
Wrocław Baroque Orchestra
York
Zelenka
Zugtrompete
‘Just’ Natural Trumpet