I played first trumpet in Handel's Messiah in Manchester Cathedral on Saturday 30th November 2019. The performance featured the Manchester Cathedral Choir and Manchester Baroque, conducted by Christopher Stokes.It was great to perform Handel's Messiah in Manchester Cathedral again. I did this annual performance at Manchester Cathedral (for a few years running) about 10 and 11 years ago! View this post

I performed Handel's Messiah on Sunday 24th November 2019 at St. Barnabas Church in Walthamstow, as part of the St. Barnabas Sunday Concerts series. The Waltham Forest Community Choir performed with an excellent freelance orchestra, made up of several Walthamstow-based professional musicians. Tom Randle conducted the performance. The capacity audience at St. Barnabas Church was encouraged to sing

Alison Balsom: “Welcome, ladies and gentlemen - welcome to England at the end of the seventeenth century. Don’t panic. I’m not here to talk. I have this (she holds the trumpet). And, you know, some people hear in this only one thing - a call to arms, a military fanfare, the triumphant crow of a proud and patriotic soldier. But in the 1680s and 90s, Henry Purcell, a composer who means the whole

The Georges Enescu Festival welcomed Les Talens Lyriques to perform Handel’s Giulio Cesare [HWV 17] on the 20th September 2019 and Handel’s Agrippina [HWV 6] on the 21st September 2019. These consecutive late night performances took place at the Romanian Athenaeum in the Romanian capital city of Bucharest.This project began with rehearsals in Paris at one of Les Talens Lyriques’ usual Montmartre

Handel wrote two oratorios featuring trombones in his brass section; one is Saul [HWV 53], which I had the great pleasure of playing earlier this year at the Göttingen Händel Festival and the other is Israel in Egypt [HWV 54], which was the focus of Saturday night’s concert at the Southwell Music Festival.The Festival Baroque Sinfonia and Festival Voices joined forces under Marcus Farnsworth’s

I performed with Vox Luminis in the 11th century Romanesque Basilica of St Magdalene in Vézelay, a UNESCO world heritage site, around 230km southeast of Paris in the French region of Bourgogne-Franche-Comté. The choir and orchestra of Vox Luminis gave a concert at 21:00 on Thursday 22nd August 2019 as part of La Cité de la Voix Festival in Vézelay.The group performed three works by George Frideric

‘Snape Maltings, Snape Maltings, Thank Benjamin Britten for Snape Maltings’ was the specially-written encore of Vox Luminis’ King Arthur performance at Snape Maltings in 2017. That memorable performance, exactly two years ago, was my first appearance with the group and there have been many exceptional projects in the interim, including performances at Versailles, the Utrecht Early Music Festival,

Handel’s Agrippina [HWV 6] was the focus for Christophe Rousset’s Les Talens Lyriques at the beginning of June 2019, with performances in the Klangvocal Festival in Dortmund on Saturday 8th June 2019 and in the Halle Händel Festspiele on Monday 10th June 2019. Rehearsals began in Paris and the group worked to familiarise itself with this long (circa 4-hour) and intricate opera. The ensemble rehearsed

I performed a programme of baroque music (on modern instruments) with the Brandenburg Sinfonia at St. Martin-in-the-Fields on Saturday 1st June 2019. I played third trumpet in the section with (fellow Manx man) Sam Kinrade and Ellie Lovegrove on 1st and 2nd, respectively. The programme began with Handel’s Dettingen Te Deum [HWV 283] and continued after the interval with Bach’s Orchestral Suite

There is no doubt that the Festspiel Orchester Göttingen (FOG), the resident orchestra at the Göttingen International Händel Festival, is very special to all of us who play in it. The overriding ethos within the orchestra is often nothing short of euphoric and the Göttingen International Händel Festival is musically, socially and culturally one of the highlights of my working year. I feel

I performed first trumpet in Handel’s Messiah with Oxford Baroque on Saturday 6th April 2019. The performance took place in the Dobson Art Centre in King Edward VI School in Southampton. Oxford Baroque provided a period instrument orchestra to accompany the Southampton Choral Society. The performance was directed by their conductor Benjamin Costello. During the rehearsal, Benjamin kindly remarked

Snape Maltings was the venue for Aldeburgh Music Club’s performance of a programme entitled ‘The Amazing Mr. Handel’ on Saturday 16th March 2019. The performance featured the Coronation Anthems [HWV 258], Water Music Suite in G [HWV 350], Concerto Grosso Op.6 No.9 [HWV 327], Chandos Anthem No.7 'My song shall be alway' [HWV 252] and the Chandos Anthem No.4 'O worship the Lord in the beauty of

Northampton Cathedral was the venue for my only complete Messiah performance this December. I played with the choir and orchestra of Fiori Musicali with their Director Penelope Rapson. Some years ago Handel’s Messiah seemed to be, almost exclusively, the only piece that I was asked to perform at this time of year. At the moment it seems to be slightly less common for me to have a solely Messiah-filled

When I first visited the Palace of Versailles on a school history trip in March 2005 I would never have imagined that I would, one day, have the opportunity to play there as a professional trumpet player.Since then I have performed and recorded in the Opéra Royal de Versailles with Les Talens Lyriques (often playing operas that were originally performed there, such as Lully’s Alceste and Salieri’s

At 4pm on Thursday 9th of August 2018, I performed at The Charterhouse in London for the funeral service of Nicolas Christopher Henry Browne-Wilkinson (b. 30th March 1930- d.25th July 2018). Julian Perkins played preliminary music on the organ by Bach and Handel, before the Introit ‘Psalm 23’ by Charles Hylton Stewart was sung by the choir. The choir consisted of Augusta Hebbert (soprano), Tom

Before travelling to Uzès for two performances with Vox Luminis, the trumpet section (Russell Gilmour, William Russell and Gareth Hoddinott) rendezvoused at Gareth & Cecile’s holiday home in the Alps at Montgilbert in the Maurienne valley in the Savoie region. Meeting up a few days beforehand allowed us to travel via more convenient airports on both sides (avoiding Ryanair) and it enabled us

I performed music by Georg Frideric Handel in the Summer Concert given by the Bar Choral Society at Temple Church in London on Tuesday 19th of June 2018.Greg Morris directed the all-Handel programme featuring the Temple Players and the Bar Choral Society with soloists: Amy Wood (soprano), James Hall (countertenor), James Way (tenor) and Richard Latham (bass). The performance began with Russell

It was wonderful to return to the Göttingen International Handel Festival in 2018. Performing in this festival is one of the musical highlights of my year. The director and players of the FestspielOrchester Göttingen (FOG) are infectiously-energetic musicians; performing in their element. Thriving on each others’ energy, these remarkable and characterful musicians creatively achieve incredible

I played first natural trumpet (with the excellent Will Russell on second) in Handel’s Messiah on Saturday 20th January 2018 in the ornate Chapel of Worcester College, Oxford. The performance was directed by Thomas Allery as part of the Epiphanytide Festival. It featured the magnificent Worcester College chapel choirs, the period instrument ensemble 1714* and soloists Rebecca Silverman (Soprano),

I played first natural trumpet for a performance entitled ‘Mr Handel’s Messiah’. The performance was given by Penelope Rapson and the choir and orchestra of Fiori Musicali and it took place in Northampton Cathedral on Friday 22nd of December 2017.The performance featured solo performances from: Malu Lin Swayne (Violin), Eloise Irving (Soprano), Robert Cross (Counter-tenor), Edmund Hastings (Tenor),

Following a memorable Messiah performance in December 2014, I returned to Brangwyn Hall in Swansea on Sunday 17th of December 2017 to perform another rendition of this, Handel’s most renowned oratorio, with the Swansea Bach Choir - under the direction of Greg Hallam, with the orchestra Musica Poetica London.The impressive decorative panels adorning Brangwyn Hall, completed by the Belgian-born Sir

I began playing on Friday 15th of December 2017 at 10am at Holy Trinity Church (Prince Consort Road) with an intensive B Minor Mass rehearsal with Solomon’s Knot ahead of their performances in Nottingham (16th Dec) and at St. John’s Smith Square (18th Dec). After this rehearsal, I walked to Cadogan Hall and took part in an afternoon rehearsal and evening performance of Bach’s Christmas Oratorio

After a memorable concert in November 2016 (when Will Russell and I performed Vivaldi’s ‘Concerto for two trumpets in C’) in St. George’s Church in Chichester, we were invited by Andrew Naylor - musical director of Chichester Voices - to return for their 2017 concert, entitled ‘Messiah with Fireworks’. We returned to Chichester on Saturday 4th of November with several additions to our trumpet

I performed with The Wren Players at the Royal Hospital in Chelsea on Tuesday 4th of July 2017. The evening of music began at 18:30 with an outdoor performance in the Royal Hospital’s ‘Figure Court’. It was a beautiful and warm evening. The outdoor performance included a selection from Handel’s Water Music (D Major suite) and his Music for the Royal Fireworks:Water Music - D major suiteAllegroAlla

I performed with the Brandenburg Baroque Soloists at Eton College on Thursday 15th of June 2017 at 8:45pm. The performance of Handel’s 'Coronation Anthems' took place in the magnificent Chapel of Eton College.The chorus was directed by Matthew O'Donovan, who brilliantly directed the 14-piece period-instrument orchestra, led by violinist Walter Reiter.I first met Walter Reiter at Dartington International

I travelled to the wonderful University City of Göttingen in Germany to perform with FestspielOrchester Göttingen (FOG) directed by Laurence Cummings. It was delightful to be back at the Göttingen International Händel Festival having enjoyed performing in the 2014 and 2015 festivals.The Galakonzert took place at the Stadthalle on Saturday 13th of May 2017 and it marked the opening of the Göttingen

Goldsmiths Choral Union and the orchestra, 'Musicians of London' performed Handel's 'Dettingen Te Deum', Handel's 'Te Deum in A' and Bach's 'Magnificat' at Cadogan Hall in London on Wednesday 5th of April 2017.Brian Wright conducted the choir, orchestra and their excellent group of soloists: Rachel Ambrose Evans (soprano), Ruth Provost (soprano), Benjamin Williamson (countertenor), Peter Harris (tenor)

It's always an exciting prospect to explore a lesser-known work by Handel. On this occasion, I performed Handel's oratorio 'Belshazzar' (HWV 61) from 1744, with the chorus 'Petros Singers' in a performance at St. James's Piccadilly on Saturday 25th of March 2017. Petros Singers take great pride in performing repertoire that is "often idiosyncratic, eschewing the typical canonical works in order to

I played first trumpet in a performance of Handel’s Messiah on Saturday 18th of March 2017 at St. John’s Church, on Spencer Hill in Wimbledon. The performance involved members of the pro-choir Sonoro, the Wimbledon Community Chorus and the Sonoro Baroque Ensemble, led by Susie Carpenter-Jacobs.The performance was conducted by one of the Artistic Directors of Sonoro, Neil Ferris [who has recently

The Evangelische Chorgemeinschaft an der Saar and Le Concert Lorrain invited me to perform in their New Year Concert, at the Congreßhalle in Saarbrücken. It took place on the Saturday 7th of January 2017. The group, directed by Georg Grün, performed Handel’s ‘Messiah’ with notable soloists from the UK and Germany.The trumpet section consisted of Russell Gilmour (1st trumpet) and William Russell

December 2016 has consisted of several Messiah, B Minor Mass, Magnificat and Christmas Oratorio performances. The final concert before the festive season offered a similarly balanced variety of music from Handel and Bach. It featured Part I of Handel's Messiah in the first half and Bach's Magnificat in D [BWV 243] in the second half. The performance took place at St. Anne's in Kew Green, London on

On Thursday 15th of December 2016, I performed Part I of Handel’s ‘Messiah’ in the majestic chapel of Magdalen College, Oxford. The performance featured the magnificent Choir of Magdalen College, four soloists and the orchestra, Oxford Baroque.The choir and the orchestra - led by violinist Claudia Norz - performed from the nave of the chapel with trumpeters Russell Gilmour and William Russell

I performed Handel’s ‘Messiah’ at St. Gabriel’s Church in Pimlico on Tuesday 6th of December 2016. The orchestra ‘Spiritato!’ and the Schola Cantorum of the Cardinal Vaughan Memorial School was conducted by Scott Price, Director of Music of the Cardinal Vaughan Memorial School. Photography by Weenson OoThe boys of the Schola Cantorum sang all of the arias, recitatives and choruses in

The Gresham Centre at the church of St Anne & St Agnes (near the old city wall of London) was the venue for Voces8's performance of Handel's 'Messiah' on Monday the 5th of December 2016. According to the Gresham Centre's website, there has been a church on this site since 1137 - though it has been rebuilt several times due to fire (including the 1666 Great Fire of London) and the Blitz of the Second

The Newcastle Upon Tyne Bach Choir performed George Frederic Handel's oratorio 'Deborah’ [HWV 51] in the King's Hall at Newcastle University on Saturday 16th of November 2016. Eric Cross conducted the choir and the orchestra: Newcastle Baroque. We were joined by excellent soloists: Charlotte La Thrope (Soprano - Deborah), Ruth Jenkins-Róbertsson (Soprano - Jael), Rosanna Cooper (Mezzo-Soprano -

The Orchestra of the Age of Enlightenment joined forces with Camden Music to put on an educational project called 'Music is Special' at Cecil Sharp House on Monday 21st of November 2016. This innovative project integrated students from two special needs schools and two mainstream schools with the period-instrument players of the Orchestra of the Age of Enlightenment. Composer and animateur, Sam Chaplin

Venturing into the 18th Century, the Monteverdi String Band performed Handel’s ‘Messiah’ with The Ripieno Choir (directed by David Hansell) in the London suburb of Esher on Saturday 19th of November 2016. The Monteverdi String Band was joined by two oboes, a bassoon, two trumpets and timpani for the performance of Handel’s glorious ‘Messiah’.Wonderful evening yesterday venturing into the

The Little Baroque Company, led by Kinga Ujszaszi, performed with the St. Cecilia Chorus on Saturday 12th of November at St. Andrew’s Church in Cheam. The evening, conducted by Jonathan Rennert promised ‘festive and celebratory music from the first half of the 18th century… predominantly bright in mood, with brilliant orchestral colour, often featuring trumpets.'The ensemble performed William

I performed with Kasia Slawski (Soprano) in her Final MA Recital which took place at the Sir Jack Lyons Concert Hall at the University of York on Monday 12th of September.Kasia had chosen to sing music by Scarlatti, Handel and Bach. She was accompanied by Peter Seymour on the Harpsichord and Organ, and by myself (Russell Gilmour) on Baroque Trumpets in C and in D.Her recital began with two movements

Zelenka - HypocondrieBach - Magnificat in DBach - Brandenburg Concerto No. 2- Interval -Handel - Dixit DominusArs Eloquentiae and the Southampton Philharmonic Choir performed a programme of demanding choral and instrumental works on Saturday 18th of June 2016. The 7:30pm concert in Winchester Cathedral was attended by a substantial and ethereally back-lit audience. As the concert began the sun was

Oxford Early Music festival put on a concert of Georg Frederic Händel’s ‘Israel in Egypt’ on Friday 13th of May 2016 in the University of Oxford’s first official building, the University Church. The International Baroque Players joined a fantastic line-up of soloists: Emma Kirkby (soprano), Robyn Allegra Parton (soprano), Robin Blaze (countertenor), Thomas Hobbs (tenor), Jonathan Arnold

I played first trumpet in Handel's Coronation Anthems in St. Martin-in-the-Fields in London. The section consisted of Russell Gilmour, William Russell & Gareth Hoddinott.The Joyful Company of Singers and the Brandenburg Baroque Soloists were conducted by Peter Broadbent in this candlelit concert on Thursday 7th of April, as part of the Brandenburg Choral Festival 2016 at St. Martin-in-the-Fields.The

On Tuesday the 23rd February 2016, the choir 'Sonoro' gave a performance of a programme entitled 'Baroque Masterpieces' at St. Martin-in-the-Fields in London. The programme showcased the vibrant sonority of this new professional choir with performances of Handel's 'Zadok the Priest', Vivaldi's 'Gloria' and Bach's 'Magnificat in D'. The Sonoro Baroque Ensemble, led by Simon Standage also performed

On Saturday 19th of December 2015, I performed Handel's 'Messiah' at St. Anne's Church in Kew Green, London, with the group Ars Eloquentiae.The performance was directed by the wonderfully energetic Chad Kelly. He lead the ensemble and small chorus through this work from the chamber organ at the front - leading with clarity and excitement. After several encouraging gestures and glances from the director,

I played first trumpet in Handel’s Messiah in Peterborough Cathedral on Friday 18th of December 2015. The performance was one of the most enjoyable of the whole season on account of the glorious acoustic and due to the high standard of the combined forces of the Peterborough Cathedral Choir, Youth Choir and Festival Chorus. The soloists were all excellent: Soprano - Robyn Allegra Parton, Alto - Owen

I played first trumpet in Handel's Messiah with the Purcell Orchestra on Sunday the 13th of December 2015 in St. Mary Abbots Church, near High Street Kensington in London.The choir were a small and excellent group of vocalists, called the 'St Mary Abbots Singers'. They sailed their way through the Messiah under the clear direction of their conductor Mark Uglow. It was a very pleasant performance and

I participated in a performance of Handel's Messiah in Greenwich, London. The Dulwich Choral Society performed this seasonal favourite on Saturday 12th of December 2015 in the beautiful and highly ornate Chapel of the Old Royal Naval College in Greenwich.We hope you enjoyed our Messiah last night. We're now looking forward to our Dove and Orff concert on Sat 12th March pic.twitter.com/4YgjwGijfC—

‘Spiritato!’ performed a family-orientated programme as part of the ‘Hackney Proms’ at Stoke Newington Town Hall on at 13:15 on Sunday 22nd November 2015. The programme was entitled ‘Gulliver’s Travels: A voyage to Lilliput’.The programme consisted of many short movements that fitted around a script - which was excitingly narrated by Will Russell (dressed as Gulliver). The lively narration

London's Temple Church was the venue for a concert given by The Bar Choral Society and The Temple Players on Monday 16th of November.The Bar Choral Society, formed in 2014, is a musical collaboration of barristers, judges, other people who work within the legal profession and their family members."The Society rehearses and performs in Temple Church which has a long association with the Law, providing

At 7pm on Sunday the 15th of November I played first trumpet in a Messiah at ‘The Anvil’ in Basingstoke. The performance was given by the orchestra Ars Eloquentiae and the Basingstoke Choral Society and was directed by David Gibson. Details from the Basingstoke Choral Society website (below) had outlined their aims for the work and I would like to congratulate them on achieving them - it was a

Was today, 4th November 2015, the beginning of the ‘Messiah season’ this year? Quite possibly, but it began in style at the Royal Hospital in Chelsea. The Messiah was directed by William Vann, who holds the Director of Music and Organist position there. I played in a section with Richard Fomison and Robert Howes (Timpani). There were many familiar faces in the choir and orchestra including many

I played for the blessing of the marriage of Manuela Brigitta Sells-Rohrbach and Jonathan Edwin Litchfield Sells-Rohrbach at the Temple Church in London on Saturday 17th of October 2015 at 2pm.The groom, Jonny Sells, is the musical director of 'Solomon's Knot' and resultantly the service was filled with musical excitement. There was an eight-piece choir from Solomon's Knot. The ensemble also included

It was an immense honour to perform in the opening concert of the new National Forum of Music (Narodowe Forum Muzyki) in Wrocław, Poland. The NFM is an incredible facility and a stunning addition to Wrocław's architectural skyline and musical culture. It will play a valuable role during Wrocław's 'European Capital of Culture' status in 2016.  The musicians of the Wrocław Baroque Orchestra

I participated in a performance of Handel’s oratorio 'Israel in Egypt’ with Twickenham Choral Society at All Saints Church in Kingston-upon-Thames. Christopher Herrick directed the choir and the Brandenburg Baroque Sinfonia. I played second trumpet to Neil Brough. The rehearsal was very well organised and it ran exactly to the timings that the director had planned - starting with full forces and

I performed Handel’s Messiah with Oxford Baroque on Monday 29th of June 2015 at the Church of St John the Evangelist on Iffley Road as part of the MCS Arts Festival 2015. The orchestra accompanied singers from the Choir of Magdalen College and the performance was directed from the harpsichord by Daniel Hyde.St John the Evangelist is a beautiful venue. It has a very peaceful courtyard garden

I was involved, for a second year, in the International Händel Festival in Göttingen, Germany. I performed with Festspiel Orchester Göttingen (also known as FOG) in the Opera ‘Agrippina’ (HWV 6) and the Oratorio ‘Theodora’ (HWV 68).We gave six performances of Händel's 'Agrippina' in the Deutsches Theatre in Göttingen. It is a large-scale, three-act opera with a running time of around 5

The Göttingen Handel Festival allowed the trumpet section from F.O.G. to join the Göttingen Baroque Orchestra’s performance within the Göttingen Handel Festival. The Göttingen Baroque Orchestra, under their concert master Henning Vater, performed Handel’s ‘Deborah’ (HWV 51) in the Marktkirche St. Johannes which is in the heart of the city of Göttingen. The performance of this three-hour

On Friday 1st of May, I performed with the Orchestra of the Age of Enlightenment in a concert and education workshop at the Corn Exchange in King’s Lynn, Norfolk. I played 2nd trumpet in Handel’s Coronation Anthem - ‘Zadok the Priest’. My part in the performance was very small, as I was only involved in this performance of ‘Zadok the Priest’. The rest of the programme included round-singing,

I flew to Malta to take part in a performance of Handel's Messiah with the Goldberg Ensemble; an ensemble based in Malta. The concert was held in the Anglican Cathedral - St Paul's Pro-Cathedral - in the capital, Valletta.I departed from Gatwick Airport - remarkably all the passengers and bags were loaded ahead of schedule, so we departed 20 minutes early - and Air Malta transported

My final Messiah of the year was in Kew Green with Ars Eloquentiae, directed by Chad Kelly.I have had the pleasure of performing with this group on several other occasions over the past few years. This time the group was joined by a hand-picked ensemble of 12 vocalists.The group performed Handel's Messiah to a full audience at St. Anne's Church in Kew Green, London. The good sense of energy made what

Myself and fellow trumpeter, Will Russell travelled to Swansea in Wales on Friday night, ready for an afternoon rehearsal and evening performance of Handel's Messiah on Saturday. We stayed with very generous hosts and we had chance on Saturday morning to relax over a leisurely breakfast and enjoy a walk on the beach at Mumbles. For lunch we met our hosts John and Sarah at a local restaurant (The Sketty

York is wonderful city. It is one of those places that I always leave and think, 'I could easily live there'. There's a relaxed charm about the place. It has a good balance of down to earth people, fine architecture, interesting history, an excellent university (and all that comes with) and good rail links up and down the East Coast mainline, and also over the Pennines to Manchester.While we are on

I played first trumpet in a performance of Handel's Messiah at St. John's Smith Square on Friday 5th of December 2014. The performance, given by Solomon's Knot was a refreshingly vibrant performance of this well-known work. The eight singers performed the entire piece from memory, which somehow gave the impression that the music was being spontaneously composed. The movements flowed seamlessly into

I made my debut with the Orchestra of the 18th Century on 'Tour 123'. The tour began on the 23rd of November 2014 and finished on the 3rd of December 2014. It included performances in Rotterdam (Holland), Roeselare (Belgium), Dublin (Ireland), Belfast (Northern Ireland), Amsterdam (Holland) and The Hague (Holland).It was a huge privilege to be asked to play with the Orchestra of the 18th Century for

'Te Lucis Ante Terminum'- Wrocław CathedralTuesday 9th September 2014Music by Grzegorz Gerwazy Gorczycki:CompletoriumConductus FunebrisMissa Rorate IILitaniae de Providentia DivinaAndrzej Kosendiak - Musical DirectorAldona Bartnik, Agnieszka Ryman - SopranoMatthew Venner - AltoMaciej Gocman - TenorTomaš Kral, Jaromir Nosek - BassZbigniew Pilch - 1st ViolinMikołaj Zgółka - 2nd ViolinJulia Karpeta,

On Saturday 19th of July 2014, I travelled to Sowerby, near Thirsk in North Yorkshire, to play for 'Sowerby Music' with the ensemble 'Passacaglia'.The London-based ensemble gave the final concert of the season for Sowerby Music. The organisers described the event as "an unashamedly celebratory concert", which combined a birthday celebration of one of the organisers and the remarkable milestone of Sowerby

May through to June has been an exciting time. I had the great pleasure of playing in the Thüringia Bach Festival in Weimar in May and then toured with the Göttingen Händel Festival through May and June.I have been amazed by the Festspiel Orchester Göttingen (known colloquially as FOG). The quality of the music-making has been incredible. I was impressed with the string section in particular, as

On Sunday 28th July, Russell performed in the Burgundy region of France with the Gabrieli Consort - directed by Paul McCreesh.The concert was part of the Beaune Festival. The group gave a performance of L'Allegro, il Penseroso ed il Moderato (HWV 55) by Handel, which was streamed live online. It will be broadcast on television in September. The online stream of the concert is available to