It was great to return to Stour Music Festival in East Kent to revisit Spiritato’s programme entitled ‘Inspiring Bach’, with the Marian Consort. We picked up from where we left off after our performance at St Giles Cripplegate in October 2021. I last performed at the Stour Music Festival in 2019, for I Fagiolini's performance of Monteverdi's L'Orfeo.On Sunday 19th June 2022, we performed

I returned to Oxford on Saturday 16th April 2022 to perform in the Oxford Bach Soloists’ Easter Festival at New College. I played the cornetto part in Christ lag in Todesbanden [BWV 4] and I played trumpet in Bach’s Der Himmel lacht! Die Erde jubilieret [BWV 31] and the Easter Oratorio [BWV 249]. Tom Hammond-Davies directed the choir and orchestra. There were excellent vocal and instrumental features

After yesterday’s recording of Bach’s Easter Oratorio [BWV 249] and Der Himmel Lacht! Die Erde jubilieret [BWV 31], and last week’s recording of the B Minor Mass [BWV 232], I was invited back to Oxford to perform Christ lag in Todes Banden [BWV 4]. I play the Cornetto for a video recording at the chapel of New College, Oxford as part of Oxford Bach Soloists’ Easter festival. I played the Cornetto

I had the pleasure of mentoring for ‘Future Talent’ at the Royal Northern College of Music (RNCM) on Sunday 9th February 2020. The extreme weather of Storm Ciara made some of the travel arrangements a bit of a challenge. Fortunately my route to and from Manchester was largely unaffected but there was more debris on the roads than normal, and at one point I had to ford a deeply-flooded road on the

Here lies the man who boldly hath run throughMore villainies than England ever knew;And ne'er to any friend he had was true.Here let him then by all unpitied lie,And let's rejoice his time was come to die. - Colonel Thomas Blood’s EpitaphI performed on the cornetto at the Tower of London for a day of events centred around the year 1671 and Colonel Thomas Blood’s (1618 - 1680) notorious attempt

I performed Monteverdi’s Vespers in the Swedish capital city of Stockholm on Sunday 24th March 2019. Prior to this visit I had spent only a few hours in Sweden (in Malmö, on a day trip over the railway bridge from Denmark) so I took the opportunity to extend my visit over a long weekend that tied in with the cheapest flights. This opportunity had arisen at fairly short notice and my Mum (who lives

Andrzej Kosendiak and the Wrocław Baroque Ensemble performed music by Marcin Mielczewski in two cities alongside the Vistula river in central Poland. The first concert took place in Płock Cathedral (the Bazylika Katedralna Wniebowzięcia Najświętszej Maryi Panny) on Saturday 2nd February 2019, and the second concert took place in the Great Hall of the Royal Castle in Warsaw on Sunday 3rd February

Inspired by the Medieval manuscript the Chronicles of Mann, two Manx-born musicians Russell Gilmour (trumpet) and David Kilgallon (organ) performed in the duo ‘Chronicles’ at St. Paul’s Church in Ramsey on the Isle of Man on Friday 28th December 2018.The Chronicles of Mann mentions various locations including: the Isle of Man, Wales, Scotland, Ireland and even places as far away as Norway and

Situated on the south bank of the River Thames (just 230 metres away from the site of the original) is the modern reconstruction of the Globe theatre. The name of the theatre (reconstructed in 1997) comes from the original theatre, which was built in 1599, and rebuilt in 1614 after a fire, on Maiden Lane (now Park Street) in Southwark. The original Globe theatre was initially owned by Richard Burbage

I first encountered The Torbay Singers prior to their performance of Bach’s Christmas Oratorio on Saturday 7th December 2013 at St Matthias’ Church in Torquay. Although I did write occasional blog articles back then, I had a tendency only to do so after long tours and even then I kept only the briefest of notes as an aide-memoire. In July 2013, for example, I wrote just seventy words after making

The Teatru Manoel presented a concert on the occasion of the European Day of Early Music (Wednesday 21st March 2018) at the Basilica of St. Dominic in the European Capital of Culture 2018: Valletta. Valletta is on the island of Malta in the Maltese Archipelago. I have been very fortunate to visit on two previous occasions (January 2013 and January 2015). It was great to return two subsequent times

I performed on the cornetto and natural trumpet for a murder mystery corporate function at the Tower of London on Thursday 11th January 2018.Performing firstly in the White Tower and later in the New Armouries, Sam Goble, Russell Gilmour, Nick Perry and Jamie Akers performed Tudor Music, wearing appropriate costume (provided), upon cornetti, natural trumpets, pipes, recorder, curtal, guitar, hurdy

I performed Tudor music on the Cornetto as part of a high-profile corporate function in the Great Hall, at Hampton Court Palace on the evening of Wednesday 11th October 2017. The Great Hall at Hampton Court Palace features a highly decorated hammer-beam ceiling with King Henry VIII’s fine tapestries of 'The Story of Abraham' hung all around the room. The group of musicians wore Tudor regalia bearing

I performed with the Oxford Bach Soloists on the cornetto and natural trumpet. The group performed two contrasting works by Johann Sebastian Bach: ‘Christ Lag in Todes Banden’ (BWV 4) and the Easter Oratorio (BWV 249). The performance was conducted by Tom Hammond-Davies and took place at New College, Oxford on Easter Saturday: 15th April 2017. The concert began with the première of ‘Roads Shining

I performed Tudor music from the time of King Henry VIII at Hampton Court Palace on Saturday 16th and Sunday 17th of July 2016. I played the natural trumpet and the cornetto in several different formations of ensemble, in various locations around the palace and grounds. Other colleagues played upon the sackbutt, lute, tenor drum, tambourine, bagpipe and hurdy-gurdy, showing a selection of the instruments

Oxford Early Music festival put on a concert of Georg Frederic Händel’s ‘Israel in Egypt’ on Friday 13th of May 2016 in the University of Oxford’s first official building, the University Church. The International Baroque Players joined a fantastic line-up of soloists: Emma Kirkby (soprano), Robyn Allegra Parton (soprano), Robin Blaze (countertenor), Thomas Hobbs (tenor), Jonathan Arnold

I played Cornetto with The Little Baroque Company, performing Monteverdi's Vespers in London's 'City Temple' (Holborn Viaduct) on Monday 25th April 2016. Esther Jones conducted the orchestra and the combined choirs of The Esterhazy Singers and London Youth Choirs. Esther even conducted to another conductor (Greg Hallam) who relayed the tempo to the members of the youth choirs, who were facing away

I was involved in a performance of Monteverdi’s Vespers in the church of St. Martin-in-the-Fields, just off Trafalgar Square in London. The performance took place at 8pm on Saturday 30th January 2016 and it was given by the choir of Royal Holloway, University of London - directed by Rupert Gough. The orchestra was provided by Bob Porter and was called the ‘Brandenburg Baroque Soloists’. It consisted

“I exhibite in this my Journall to your Princelie view, that most glorious, renowned, Virgin Citie of Venice, the Queene of the Christian world, that Diamond set in the ring of the Adriatique gulfe, and the most resplendent mirrour of Europe…”- Thomas Coryate, c.1608There are few places in the world that are as instantly recognisable. Venice is a paradise for the eyes and for the ears. As a photographer

The National Forum of Music in Wrocław commissioned me to 'recreate' cornett and sackbutt parts for Marcin Mielczewski's Vesperae Dominicales. The original version of the piece has eight vocal parts, two violin parts, a dulcian part and basso continuo, though historical sources indicate that this would have been extended to include cornetts and sackbutts in a later version. A later manuscript