I played first trumpet [BWV 59] and third trumpet [BWV 172] in two of the four Bach cantatas that the Oxford Bach Soloists, directed by Tom Hammond-Davies, performed on Sunday 8th May 2022 at New College, Oxford. The orchestra was led by violinist Conor Gricmanis. The programme featured:BWV 12 Weinen, Klagen, Sorgen, Zagen BWV 44 Sie werden euch in den Bann tun BWV 59 Wer mich liebet, der wird mein

I performed Bach’s B Minor Mass at Oxford Town Hall on Saturday 23rd April 2022. The performance featured the Schola Cantorum of Oxford, directed by Steven Grahl, the orchestra Instruments of Time & Truth, and soloists: Robyn Allegra Parton, Lucy Cox, Martha McLorinan, Nick Pritchard and Roderick Williams. This delayed performance marked the 60th anniversary of the Schola Cantorum of Oxford.

I returned to Oxford on Saturday 16th April 2022 to perform in the Oxford Bach Soloists’ Easter Festival at New College. I played the cornetto part in Christ lag in Todesbanden [BWV 4] and I played trumpet in Bach’s Der Himmel lacht! Die Erde jubilieret [BWV 31] and the Easter Oratorio [BWV 249]. Tom Hammond-Davies directed the choir and orchestra. There were excellent vocal and instrumental features

I performed with the Oxford Bach Soloists for a concert in celebration of an 80th birthday. The performance took place at New College in Oxford on Friday 1st April 2022, and was directed by Tom Hammond-Davies. It featured the soprano soloists Mary Bevan and Joanne Lunn, and the bass soloist Alex Ashworth. The programme featured Mozart’s Exsultate, Jubilate (K. 165), Mozart’s Fate Presto O Cari

I played first trumpet with Oxford Bach Soloists for their performance of Bach’s cantata Vereinigte Zwietracht der wechselnden Saiten [BWV 207] at New College, Oxford, on Sunday 23rd January 2022. BWV 207 was the final piece in the concert, which also included Bach’s first Brandenburg Concerto [BWV 1046] and the cantata Falsche Welt, dir trau ich nicht! [BWV 52]. Each cantata featured recognisable

Following an extraordinarily long run of consecutive work, in Croatia, London and Oxford, I returned to Oxford to record choral works by Mozart and Haydn under the baton of Paul Brough, with Instruments of Time & Truth and the excellent Choir of Keble College Oxford. Adrian Peacock was the producer. We recorded Mozart’s Missa in C major [K. 258] on Saturday 2nd October

I performed Mozart’s Vesperae solennes de confessore [K. 339] at SJE Arts (St. John the Evangelist Church) on Iffley Rd in Oxford on Friday 1st October 2021. I last performed at SJE Arts in 2015. On this occasion I played with the Oxford-based orchestra, ‘Instruments of Time & Truth’. We played in the 11am concert, which was part of the Divine Office Festival, promoted by Martin Randall

After yesterday’s recording of Bach’s Easter Oratorio [BWV 249] and Der Himmel Lacht! Die Erde jubilieret [BWV 31], and last week’s recording of the B Minor Mass [BWV 232], I was invited back to Oxford to perform Christ lag in Todes Banden [BWV 4]. I play the Cornetto for a video recording at the chapel of New College, Oxford as part of Oxford Bach Soloists’ Easter festival. I played the Cornetto

Following last week’s B Minor Mass [BWV 232] video recording, I returned to Oxford to play first trumpet for another video recording with the Oxford Bach Soloists; this time we recorded Bach’s Easter Oratorio [BWV 249] and Der Himmel Lacht! Die Erde jubilieret [BWV 31], two of Bach’s exemplary works with trumpets. The recording took place on Friday 12th March 2021 at Christ Church Cathedral -

It has been three months since my last performance, which took place in York in December 2020. I am fortunate enough to have performed even this 'recently'; despite all adversity, just enough performing work has come my way to keep me physically and mentally agile as a trumpet player. I am also fortunate to be healthy, and physically unscathed by the coronavirus. Recent months seem to have passed by

I played first natural trumpet (with the excellent Will Russell on second) in Handel’s Messiah on Saturday 20th January 2018 in the ornate Chapel of Worcester College, Oxford. The performance was directed by Thomas Allery as part of the Epiphanytide Festival. It featured the magnificent Worcester College chapel choirs, the period instrument ensemble 1714* and soloists Rebecca Silverman (Soprano),

Sunday 10th September 2017 saw a performance of J. S. Bach's 'Gelobet sei der Herr, mein Gott' [BWV 129] as part of the Lutheran Vespers at St Michael at the North Gate in Oxford. Oxford Bach Soloists, directed by Tom Hammond-Davies, performed the cantata liturgically as part of this 4pm service. The church was full to capacity.BWV 129 was written in 1724/5 for the Feast of the Trinity (possibly in

Exactly a week after playing in Oxford with the Oxford Bach Soloists, I was back in the 'City of Dreaming Spires' for the Taverner Consort's Symposium, entitled 'A Pursuit of Music'. The talk took place at Oxford University's Faculty of Music and Bate Collection on Sunday 23rd of April 2017. I had given a talk at the previous event (Taverner at 40 - April 2013) and it was remembered that I had shown

I performed with the Oxford Bach Soloists on the cornetto and natural trumpet. The group performed two contrasting works by Johann Sebastian Bach: ‘Christ Lag in Todes Banden’ (BWV 4) and the Easter Oratorio (BWV 249). The performance was conducted by Tom Hammond-Davies and took place at New College, Oxford on Easter Saturday: 15th April 2017. The concert began with the première of ‘Roads Shining

On Thursday 15th of December 2016, I performed Part I of Handel’s ‘Messiah’ in the majestic chapel of Magdalen College, Oxford. The performance featured the magnificent Choir of Magdalen College, four soloists and the orchestra, Oxford Baroque.The choir and the orchestra - led by violinist Claudia Norz - performed from the nave of the chapel with trumpeters Russell Gilmour and William Russell

Oxford Baroque performed a programme entitled ‘Bach’s Christmas Vespers 1723’ on Saturday 10th of December 2016 at King’s Place - as part of the venue's ‘Baroque Unwrapped’ season. Jeremy Summerly conducted the choir and orchestra of Oxford Baroque throughout this fascinating programme which included liturgically-linked music by Bach, Franck, Gabrieli, Kuhnau, Praetorius and others.JS Bach

Oxford Early Music festival put on a concert of Georg Frederic Händel’s ‘Israel in Egypt’ on Friday 13th of May 2016 in the University of Oxford’s first official building, the University Church. The International Baroque Players joined a fantastic line-up of soloists: Emma Kirkby (soprano), Robyn Allegra Parton (soprano), Robin Blaze (countertenor), Thomas Hobbs (tenor), Jonathan Arnold