Beethoven - Symphonies 7 & 8 - Les Talens Lyriques - Lessay, Paris & Bonn
21 August 2021, 21:00Now that I have had both vaccinations, and France has moved to the UK’s amber list (and vice versa), travel has become significantly more straightforward. Having had the vaccine I did not have to quarantine upon arrival in France, nor did I have to quarantine when I returned to the UK. There were still passenger locator forms, declarations from high incidence areas, an antigenic test to be undertaken, and a sworn statement to fill in - but despite these, believe me - this is an enormous improvement on the various trips I have undertaken in recent months.
Will Russell (2nd trumpet) and I travelled out together via the Eurostar on 13th August 2021 and met Gareth Hoddinott (who would be the bumper trumpeter) in Paris. This was the first time since December 2019 that the three of us had all been together. I had seen Will and Gareth separately when they had played 2nd trumpet for Mozart’s Idomeneo (Will) and Handel’s Messiah (Gareth) with Les Talens Lyriques in June. It was so good to be reunited as a section.
We began rehearsing with the conductor, the brilliant Christophe Rousset, on Saturday 14th August 2021 at the Conservatoire in Puteaux. I now know this area rather well on account my long stay in June 2021 for the Idomeneo and Messiah projects; I had 10 free days there between projects when it was not worth returning home to quarantine, only to return to Paris to quarantine again.
We spent several days rehearsing in Puteaux, and exploring the area around Hotel du Pré in the evenings. Many of our usual favourite haunts were closed for the summer holidays, but we still found some interesting places to eat and new places to explore. One interesting find was the disused railway line, now a leafy walkway in the 12th arrondissement called the Promenade Plantée. It runs for about three miles, and it is about 10 metres above the Viaduc des Arts that we had visited on a previous trip.
Will Russell (2nd trumpet) and I travelled out together via the Eurostar on 13th August 2021 and met Gareth Hoddinott (who would be the bumper trumpeter) in Paris. This was the first time since December 2019 that the three of us had all been together. I had seen Will and Gareth separately when they had played 2nd trumpet for Mozart’s Idomeneo (Will) and Handel’s Messiah (Gareth) with Les Talens Lyriques in June. It was so good to be reunited as a section.
We began rehearsing with the conductor, the brilliant Christophe Rousset, on Saturday 14th August 2021 at the Conservatoire in Puteaux. I now know this area rather well on account my long stay in June 2021 for the Idomeneo and Messiah projects; I had 10 free days there between projects when it was not worth returning home to quarantine, only to return to Paris to quarantine again.
We spent several days rehearsing in Puteaux, and exploring the area around Hotel du Pré in the evenings. Many of our usual favourite haunts were closed for the summer holidays, but we still found some interesting places to eat and new places to explore. One interesting find was the disused railway line, now a leafy walkway in the 12th arrondissement called the Promenade Plantée. It runs for about three miles, and it is about 10 metres above the Viaduc des Arts that we had visited on a previous trip.
On Tuesday 17th August 2021, Les Talens Lyriques rendezvoused at Saint-Lazare station and took a train towards Lessay in Normandy. We performed Beethoven’s 8th and 7th Symphonies in the reverberant Lessay Abbey, to an audience of around 450 people. This Romanesque Benedictine Abbey was originally built in the 11th century, but it was almost totally destroyed during World War II. It was rebuilt between 1945 and 1957.
The concert had an excellent atmosphere and there was a very brief opportunity to try some cider from Normandy outside the abbey at the end of the concert, just before we got back on the coach to the hotel. The following morning we retraced our steps back to Paris and enjoyed the rest of the day off.
The following day we gave two performances of Beethoven’s 7th Symphony at Collège Jacques Decour near Montmartre. We have often rehearsed there with Les Talens Lyriques, but we had never before given a concert there. The first performance in the morning took place inside with the audience listening to the orchestra ‘in the round’. The second concert, in the evening, took place outside in the courtyard. We were fortunate to have good weather and the background noise (sirens and engines etc.) was fairly minimal during the concert, which was good. It had been quite noisy during our soundcheck rehearsal. With two performances and two rehearsals on 19th August, I was so pleased that I had a bumper; many thanks to Gareth for his help.
On Friday 20th August, the orchestra met at Gare du Nord and took the Thalys to Köln, where we were met by a coach to take us on to Bonn. We checked into the Marriott hotel adjacent to the World Conference Centre where we would be playing. In the evening we walked along the river Rhine, towards the town centre and enjoyed traditional German cuisine and beer; in fact the beer, Bönnsch, was Bonn’s answer to Köln’s Kölsch. It was served in 0,3l measures in curved glasses and it was brewed on site. Bonn was Beethoven’s birthplace, and it would become the capital of West Germany between 1949 and 1990.
Les Talens Lyriques had been invited to perform in the BeethovenFest Bonn 2021. Our performance took place on Saturday 21st August 2021, and it was recorded for a radio broadcast. We played both symphonies at A=430Hz on period instruments in the New York Saal of the World Conference Centre. The acoustic in the hall was rather dry, and it felt more tiring than usual to play the two Symphonies. I was so glad to have had a bumper, as these pieces are tiring even in a generous acoustic. In the coming months I may be playing Beethoven’s 7th Symphony from memory again, so this was an excellent opportunity for me to revise my memorisation ahead of that project.
I mentioned earlier the greater freedoms of travel afforded to vaccinated travellers. In the hotel, I was able to swim in an indoor swimming pool for the first time since February 2021. It was so good that I went twice on the morning of the concert. Although some swimming pools have been open again for a while, I had personally decided not to go swimming in a pool again until I was fully vaccinated. It was wonderful; I feel like my breathing improves every time I swim.
The audience gave a standing ovation, with many shouts of ‘bravo’ and cheering after the energetic final movement of the 7th Symphony. Les Talens Lyriques’ rendition of the famous second movement of the 7th Symphony was particularly refined. It is always a pleasure to play for Christophe Rousset; he interactively guides and shapes the performance, and the orchestra reacts interactively back. I must also mention the wonderful horn players, Jeroen Billiet and Yannick Maillet, we had on this project; their natural horn playing (particularly in the trio of the 7th Symphony) sounded fantastic, refined, and very impressive.
Our route back to the UK would involve a train south along the river Rhine from Bonn to Mannheim (via Koblenz), where we changed for an ICE train to Paris (L’est). There, Will and I parted ways with the rest of the orchestra, taking the Eurostar back to London St. Pancras. This was an excellent trip, with enjoyable performances and, most notably, it did not require any quarantine in either direction. The printed proof of vaccination status is one of the most useful pieces of paper I have ever had; thank you science.
The concert had an excellent atmosphere and there was a very brief opportunity to try some cider from Normandy outside the abbey at the end of the concert, just before we got back on the coach to the hotel. The following morning we retraced our steps back to Paris and enjoyed the rest of the day off.
The following day we gave two performances of Beethoven’s 7th Symphony at Collège Jacques Decour near Montmartre. We have often rehearsed there with Les Talens Lyriques, but we had never before given a concert there. The first performance in the morning took place inside with the audience listening to the orchestra ‘in the round’. The second concert, in the evening, took place outside in the courtyard. We were fortunate to have good weather and the background noise (sirens and engines etc.) was fairly minimal during the concert, which was good. It had been quite noisy during our soundcheck rehearsal. With two performances and two rehearsals on 19th August, I was so pleased that I had a bumper; many thanks to Gareth for his help.
On Friday 20th August, the orchestra met at Gare du Nord and took the Thalys to Köln, where we were met by a coach to take us on to Bonn. We checked into the Marriott hotel adjacent to the World Conference Centre where we would be playing. In the evening we walked along the river Rhine, towards the town centre and enjoyed traditional German cuisine and beer; in fact the beer, Bönnsch, was Bonn’s answer to Köln’s Kölsch. It was served in 0,3l measures in curved glasses and it was brewed on site. Bonn was Beethoven’s birthplace, and it would become the capital of West Germany between 1949 and 1990.
Les Talens Lyriques had been invited to perform in the BeethovenFest Bonn 2021. Our performance took place on Saturday 21st August 2021, and it was recorded for a radio broadcast. We played both symphonies at A=430Hz on period instruments in the New York Saal of the World Conference Centre. The acoustic in the hall was rather dry, and it felt more tiring than usual to play the two Symphonies. I was so glad to have had a bumper, as these pieces are tiring even in a generous acoustic. In the coming months I may be playing Beethoven’s 7th Symphony from memory again, so this was an excellent opportunity for me to revise my memorisation ahead of that project.
I mentioned earlier the greater freedoms of travel afforded to vaccinated travellers. In the hotel, I was able to swim in an indoor swimming pool for the first time since February 2021. It was so good that I went twice on the morning of the concert. Although some swimming pools have been open again for a while, I had personally decided not to go swimming in a pool again until I was fully vaccinated. It was wonderful; I feel like my breathing improves every time I swim.
The audience gave a standing ovation, with many shouts of ‘bravo’ and cheering after the energetic final movement of the 7th Symphony. Les Talens Lyriques’ rendition of the famous second movement of the 7th Symphony was particularly refined. It is always a pleasure to play for Christophe Rousset; he interactively guides and shapes the performance, and the orchestra reacts interactively back. I must also mention the wonderful horn players, Jeroen Billiet and Yannick Maillet, we had on this project; their natural horn playing (particularly in the trio of the 7th Symphony) sounded fantastic, refined, and very impressive.
Russell Gilmour
writing on music, photography, engraving, travel and life as a freelance professional musician.
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Bach
Baroque
Baroque Style
BBC Proms
Beethoven
Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
Natural Trumpet Courses
OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
Touring
Toyota Classics Tour 2018
Travel
Trumpet
Trumpet and Organ
Venice
Ventless
Vivaldi
Vox Luminis
Wedding
Wigmore Hall
Workshop
Wrocław Baroque Orchestra
York
Zelenka
Zugtrompete
‘Just’ Natural Trumpet