Handel - Zadok the Priest - St Columba’s, Knightsbridge
16 July 2025, 13:45On Wednesday 16 July 2025, I played first trumpet in a recording of Handel’s Zadok the Priest (HWV 258) at St Columba’s Church on Pont Street in Knightsbridge, London. The session, conducted by Ben Lewis-Smith, featured a twelve-piece professional choir, three trumpets, and organ.
The recording took place in the organ gallery at the back of the church, with both audio and video captured for use on Encore (a music promotion platform) and for eventual release on YouTube. The large acoustic of St Columba’s lent itself to the grandeur of Handel’s music.
It’s always a pleasure to perform this work, and this occasion was no exception. However, delivering multiple complete takes without relying on any editing brought a renewed focus to the performance; it was a challenge in the heat of the day, but ultimately a rewarding experience. At one point I felt quite dizzy, since it was such a hot day, and we had played Zadok the Priest several times. As the choir was also going to record Parry’s I was Glad, the three trumpeters took a break in an adjacent room for a few minutes. I mentioned that I had been so hot that I could see some kind of heat haze in the church or perhaps lines in my vision. One of the other trumpeters retorted: ‘er, Russ, those lines are called "the stave"!
The recording took place in the organ gallery at the back of the church, with both audio and video captured for use on Encore (a music promotion platform) and for eventual release on YouTube. The large acoustic of St Columba’s lent itself to the grandeur of Handel’s music.
It’s always a pleasure to perform this work, and this occasion was no exception. However, delivering multiple complete takes without relying on any editing brought a renewed focus to the performance; it was a challenge in the heat of the day, but ultimately a rewarding experience. At one point I felt quite dizzy, since it was such a hot day, and we had played Zadok the Priest several times. As the choir was also going to record Parry’s I was Glad, the three trumpeters took a break in an adjacent room for a few minutes. I mentioned that I had been so hot that I could see some kind of heat haze in the church or perhaps lines in my vision. One of the other trumpeters retorted: ‘er, Russ, those lines are called "the stave"!
Russell Gilmour
writing on music, photography, engraving, travel and life as a freelance professional musician.
Russell Gilmour's innovative new book, 'Just' Natural Trumpet, is now available: please click here for more information.
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Bach
Baroque
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BBC Proms
Beethoven
Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
Natural Trumpet Courses
OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
Touring
Toyota Classics Tour 2018
Travel
Trumpet
Trumpet and Organ
Venice
Ventless
Vivaldi
Vox Luminis
Wedding
Wigmore Hall
Workshop
Wrocław Baroque Orchestra
York
Zelenka
Zugtrompete
‘Just’ Natural Trumpet
