Grand Baroque IV - Exeter Cathedral
1 December 2019, 15:45Blackdowns Early Music Projects presented a concert entitled 'Grand Baroque IV' at Exeter Cathedral on Friday 29th November 2019. JanJoost van Elburg conducted the Blackdowns Early Music Projects Choir, the Monteverdi String Band, the English Cornett and Sackbutt Ensemble and a team of natural trumpets and drums, played by Russell Gilmour, Will Russell and Scott Bywater.
The two trumpet players opened the concert with 'Sonate a duo Trombe detta del Gucciardini' by Girolamo Fantini (1638). I chose a piece by Fantini because he was employed by the nephew of Ferdinand II, King of Bohemia which fitted the geographical theme of the concert. Fantini is pictured in a woodcut at the front of his treatise, Modo per imparare a sonare di tromba of 1638, wearing a medal with the visble inscription 'Ferdinandus Secondus Inperator'.
After the trumpet sonata the choir sang an a cappella motet by Francisco Guerrero before Bill Lyons (dulcian) played a virtuosic rendition of Philippe Böddecker's 'Sonata sopra 'La Monica'' with Eligio Quinteiro (theorbo) and Satoko Doi-Luck (organ).
The main piece in the first half was 'Missa Sancta Maria Magdalenae' by Giovanni Sances, of which a new edition had been specially commissioned. The trumpets played a part shared with the cornettos (played by Gawain Glenton and Conor Hastings), and we decided to make suitable arrangements to divide the part between us, choosing cornetts or trumpets at musically-appropriate moments. (We made practical assumptions that the trumpets might not have been used in the Agnus Dei, for instance). The Kyrie and Gloria from the mass were performed together and then interspersed with Ferdinand Richter's 'Toccatino' - expertly played by Satoko Doi-Luck. The Credo from the mass followed before The English Cornett and Sackbutt Ensemble and the Monteverdi String Band performed Vinzenz Fux's beautiful 'Canzon pro tabula à 10', before the remainder of the mass and the interval.
After the interval the performance recommenced with an arrangement of a funeral march based on the Sanctus from the 'Requiem à 15 in A' by Heinrich Biber before the full mass was heard. The mass featured wonderful singing from the soloists: Amy Haworth (soprano), Charlotte Ashlee (soprano), Caroline Trevor (alto), Ingeborg Bröcheler (alto), Mark Dobell (tenor), Mark Bonney (tenor), Thomas Flint (bass-baritone) and Simon Whiteley (bass). The piece featured extraordinary trumpet parts in low A, playing high in the clarino register.
Congratulations and thanks must go to Catherine & Geoffrey Bass and all involved in Grand Baroque IV. It was a very interesting concert and it is always inspiring to have the opportunity to perform more obscure repertoire.
The two trumpet players opened the concert with 'Sonate a duo Trombe detta del Gucciardini' by Girolamo Fantini (1638). I chose a piece by Fantini because he was employed by the nephew of Ferdinand II, King of Bohemia which fitted the geographical theme of the concert. Fantini is pictured in a woodcut at the front of his treatise, Modo per imparare a sonare di tromba of 1638, wearing a medal with the visble inscription 'Ferdinandus Secondus Inperator'.
'Trumpeters Russell Gilmour and William Russell opened the concert confidently with a spirited Fanfare by Fantini – perhaps the godfather of baroque trumpet-playing'. - Andrew Carter
After the trumpet sonata the choir sang an a cappella motet by Francisco Guerrero before Bill Lyons (dulcian) played a virtuosic rendition of Philippe Böddecker's 'Sonata sopra 'La Monica'' with Eligio Quinteiro (theorbo) and Satoko Doi-Luck (organ).
The main piece in the first half was 'Missa Sancta Maria Magdalenae' by Giovanni Sances, of which a new edition had been specially commissioned. The trumpets played a part shared with the cornettos (played by Gawain Glenton and Conor Hastings), and we decided to make suitable arrangements to divide the part between us, choosing cornetts or trumpets at musically-appropriate moments. (We made practical assumptions that the trumpets might not have been used in the Agnus Dei, for instance). The Kyrie and Gloria from the mass were performed together and then interspersed with Ferdinand Richter's 'Toccatino' - expertly played by Satoko Doi-Luck. The Credo from the mass followed before The English Cornett and Sackbutt Ensemble and the Monteverdi String Band performed Vinzenz Fux's beautiful 'Canzon pro tabula à 10', before the remainder of the mass and the interval.
After the interval the performance recommenced with an arrangement of a funeral march based on the Sanctus from the 'Requiem à 15 in A' by Heinrich Biber before the full mass was heard. The mass featured wonderful singing from the soloists: Amy Haworth (soprano), Charlotte Ashlee (soprano), Caroline Trevor (alto), Ingeborg Bröcheler (alto), Mark Dobell (tenor), Mark Bonney (tenor), Thomas Flint (bass-baritone) and Simon Whiteley (bass). The piece featured extraordinary trumpet parts in low A, playing high in the clarino register.
Congratulations and thanks must go to Catherine & Geoffrey Bass and all involved in Grand Baroque IV. It was a very interesting concert and it is always inspiring to have the opportunity to perform more obscure repertoire.
I will be returning to Exeter Cathedral later in December for a performance of Handel's Messiah.
Russell Gilmour
writing on music, photography, engraving, travel and life as a freelance professional musician.
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Bach
Baroque
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BBC Proms
Beethoven
Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
Natural Trumpet Courses
OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
Touring
Toyota Classics Tour 2018
Travel
Trumpet
Trumpet and Organ
Venice
Ventless
Vivaldi
Vox Luminis
Wedding
Wigmore Hall
Workshop
Wrocław Baroque Orchestra
York
Zelenka
Zugtrompete
‘Just’ Natural Trumpet