Baroque Christmas - Sherborne Abbey
5 December 2015, 19:30Sherborne Abbey was the magnificent venue for a concert entitled ‘Baroque Christmas’ on Saturday 5th of December 2015 at 7:30pm. The concert was given by the Sherborne Chamber Choir, the ensemble ’In Echo’ [founded by Gawain Glenton who is now a resident of Sherborne] and trumpet players from the Altenburg Ensemble. The advertising for the concert had invited the audience to ‘join us as we start the festive season off in Baroque style, with two joyous and colourful works from the early seventeenth century’ - and that is exactly what the audience heard!
Paul Ellis conducted the performance of Schütz’ ‘The Christmas Story’ (in the first half of the concert). The ensemble ‘In Echo’ included two violins, two viols and violone as well as an excellent basso continuo section of organ and theorbo, and a team of wind players: one dulcian player, two sackbutt players and two cornettists.

The trumpet section of five trumpeters and one timpanist performed in the second half of the concert from the rear of the church by the West end steps of the Abbey. The second half consisted of Michael Praetorius’ ‘Mass for Christmas Morning’, which was interspersed with various musical numbers and the audience/congregation participated in the hymns. The Altenburg Ensemble played an ‘Intrada’ by Johann Christoph Pezel after the Gradual hymn: ’Von Himmel hoch’ and played another fanfare by Bartholomäus Riedl after the communion motets by Praetorius ‘Wie schön leuchtet der Morgenstern’ and ‘Uns ist ein Kindlein heut geborn’. The final Recessional item was ‘In dulci jubilo’, which, for the first time in the concert, united all of the instrumentalists and singers, including the band of trumpets, still situated on the West end steps.
The concert was a fantastic success and a glorious way to begin the festive season.
"Praetorius’ Christmas Mass is a reconstruction of a Lutheran mass as it might have been performed on Christmas Day in Germany around 1620. Many of the main themes are familiar, having since been adapted into Christmas Carols, and in keeping with the style of the time there are a number of chorales for the audience to join in with, so do come ready to sing! The Schütz is a similarly colourful Baroque work written in 1660 narrating the story of the birth of Christ.
We’re joined by two of the UK’s top Early Music ensembles, who between them play a wide variety of unusual instruments, including sackbuts, crumhorns and cornetts. The Altenburg Ensemble provide us with no fewer than five natural trumpets – not to be missed!”
Paul Ellis conducted the performance of Schütz’ ‘The Christmas Story’ (in the first half of the concert). The ensemble ‘In Echo’ included two violins, two viols and violone as well as an excellent basso continuo section of organ and theorbo, and a team of wind players: one dulcian player, two sackbutt players and two cornettists.

The trumpet section of five trumpeters and one timpanist performed in the second half of the concert from the rear of the church by the West end steps of the Abbey. The second half consisted of Michael Praetorius’ ‘Mass for Christmas Morning’, which was interspersed with various musical numbers and the audience/congregation participated in the hymns. The Altenburg Ensemble played an ‘Intrada’ by Johann Christoph Pezel after the Gradual hymn: ’Von Himmel hoch’ and played another fanfare by Bartholomäus Riedl after the communion motets by Praetorius ‘Wie schön leuchtet der Morgenstern’ and ‘Uns ist ein Kindlein heut geborn’. The final Recessional item was ‘In dulci jubilo’, which, for the first time in the concert, united all of the instrumentalists and singers, including the band of trumpets, still situated on the West end steps.
The concert was a fantastic success and a glorious way to begin the festive season.
"Praetorius’ Christmas Mass is a reconstruction of a Lutheran mass as it might have been performed on Christmas Day in Germany around 1620. Many of the main themes are familiar, having since been adapted into Christmas Carols, and in keeping with the style of the time there are a number of chorales for the audience to join in with, so do come ready to sing! The Schütz is a similarly colourful Baroque work written in 1660 narrating the story of the birth of Christ.
We’re joined by two of the UK’s top Early Music ensembles, who between them play a wide variety of unusual instruments, including sackbuts, crumhorns and cornetts. The Altenburg Ensemble provide us with no fewer than five natural trumpets – not to be missed!”
Russell Gilmour
writing on music, photography, engraving, travel and life as a freelance professional musician.
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Bach
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BBC Proms
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Berlioz
Biber
Brandenburg
Brandenburg Baroque Soloists
Brass Instrument Making
Broadcast
Chronicles
Classical
Concert
Cornetto
Education Outreach
English Slide Trumpet
Engraving
Festival
France
Germany
Gorczycki
Guts and Glory
Göttingen Handel Festival
Handel
Haydn
Historic Royal Palaces
Horn
Instrument
Instrument Making
Interview
Isle of Man
Keyed Trumpet
Kuhnau
Le Concert Lorrain
Lecture
Leipzig
Les Talens Lyriques
London
Masterclass
Modern Trumpet
Monteverdi
Mozart
Museum
Music
Natural Trumpet
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OAE
OAEducation
Opera
Orchestra of the Eighteenth Century
Oxford
Period Costume
Photography
Poland
Purcell
Radio Broadcast
Recording
Renaisannce
Review
Royal Academy of Music
Royal Society of Musicians
Schelle
Schütz
Shakespeare
Solomon's Knot
Spain
Spiritato!
St. Martin-in-the-Fields
Switzerland
Taverner Consort
Teaching
Telemann
The English Concert
The Netherlands
The Section
Tour
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Toyota Classics Tour 2018
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Venice
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York
Zelenka
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