Brandenburg Sinfonia - Education Project - Thaxted Festival
20 June 2019 15:30
I came back from Snape Maltings with two deviations from my normal route. The first was a stopover at the Lodge to continue to learn to make trumpets (I began making my first trumpet bell yesterday) with David Staff. After staying at the Lodge, the next waypoint on my route home was a village near Thaxted in the Essex countryside - where I performed, on Thursday 20th June 2019, with the Brandenburg
OAEducation - Merton & Wandsworth
09 May 2019 15:30
Following the OAEducation's workshops and performances in Plymouth last week, the group gave two consecutive performances in two different Boroughs of London (Merton and Wandsworth) on Thursday 9th of May 2019.The story included many young performers from Cricket Green School in Merton (next to the picturesque 18th-century Mitcham Sunday and National School, as pictured above) and Greenmead Primary
OAEducation - Durham
30 January 2019 15:00
The Orchestra of the Age of Enlightenment (OAEducation) gave two performances on Wednesday 30th of January 2019 in two schools in County Durham.The project followed on from a similar one that took place in London in November 2018. Like the November project, it catered for young musicians including those with Special Educational Needs (SEN). Again, Purcell's Fairy Queen was the focus of these educational
OAEducation - Glyndebourne Community Opera - ‘Agreed’
02 December 2018 17:00
On Sunday 2nd December 2018 I deputised on first trumpet with the Orchestra of the Age of Enlightenment for the first joint rehearsal day of Glydnebourne’s Community Opera, ‘Agreed’. This opera was composed and conducted by Howard Moody, and his daughter Anna Moody had written the libretto. 'Agreed' is directed by Simon Iorio and will be performed at Glyndebourne in the near future. For further
OAEducation - Camden
28 November 2018 17:00
I performed with the Orchestra of the Age of Enlightenment (OAEducation) at the Amadeus Centre near Warwick Avenue in London on Wednesday 28th of November 2018. The project featured participants from Gospel Oak, Rhyl and Swiss Cottage primary schools in Camden and it catered for (and I must say, enthralled) these young musicians including those with Special Educational Needs (SEN).This was a revisited
The Fairy Queen - Orchestra of the Age of Enlightenment - King’s Lynn & Great Massingham
18 June 2018 17:00
I performed with the Orchestra of the Age of Enlightenment (OAEducation) as part of their residency in King’s Lynn in the week beginning on Monday 18th of June 2018. This educational project has been touring the country for quite some time, but this particular branch of the project took place at the Corn Exchange in King’s Lynn with a performance based around music from Purcell’s Fairy Queen
The Fairy Queen - Orchestra of the Age of Enlightenment - London
06 June 2018 09:00
I performed in an educational concert with the Orchestra of the Age of Enlightenment on Wednesday 6th June 2018 at Conway Hall in London. The project was based around Purcell’s Fairy Queen and it featured music composed by James Redwood. The additional music had been specially composed to allow for musical interaction with the Key Stage 2 students. The students sang and played instruments with the
OAEducation - Music is Special
21 November 2016 15:00
The Orchestra of the Age of Enlightenment joined forces with Camden Music to put on an educational project called 'Music is Special' at Cecil Sharp House on Monday 21st of November 2016. This innovative project integrated students from two special needs schools and two mainstream schools with the period-instrument players of the Orchestra of the Age of Enlightenment. Composer and animateur, Sam Chaplin
King's Lynn - Orchestra of the Age of Enlightenment - 'Water Cycle'
01 May 2015 17:00
On Friday 1st of May, I performed with the Orchestra of the Age of Enlightenment in a concert and education workshop at the Corn Exchange in King’s Lynn, Norfolk. I played 2nd trumpet in Handel’s Coronation Anthem - ‘Zadok the Priest’. My part in the performance was very small, as I was only involved in this performance of ‘Zadok the Priest’. The rest of the programme included round-singing,