Mozart - Coronation Mass - St. Anne’s Kew Green

‘Gloria in Excelsis’, ‘Sanctus’ and ‘Agnus Dei’ from Mozart’s ‘Coronation Mass’ (K.317) were performed as parts of the Easter Sunday service (Sung Eucharist with Holy Baptism) at the Parish Church of St. Anne in Kew Green on Easter Sunday, 16th April 2017. I played first trumpet in the orchestra, directed by Chad Kelly. The Choir of St. Anne’s Kew Green sang brilliantly under Chad’s
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Christ Lag in Todes Banden & Easter Oratorio - Oxford Bach Soloists

I performed with the Oxford Bach Soloists on the cornetto and natural trumpet. The group performed two contrasting works by Johann Sebastian Bach: ‘Christ Lag in Todes Banden’ (BWV 4) and the Easter Oratorio (BWV 249). The performance was conducted by Tom Hammond-Davies and took place at New College, Oxford on Easter Saturday: 15th April 2017. The concert began with the première of ‘Roads Shining
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Handel - Dettingen Te Deum & Bach - Magnificat - Cadogan Hall

Goldsmiths Choral Union and the orchestra, 'Musicians of London' performed Handel's 'Dettingen Te Deum', Handel's 'Te Deum in A' and Bach's 'Magnificat' at Cadogan Hall in London on Wednesday 5th of April 2017.Brian Wright conducted the choir, orchestra and their excellent group of soloists: Rachel Ambrose Evans (soprano), Ruth Provost (soprano), Benjamin Williamson (countertenor), Peter Harris (tenor)
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Handel - Belshazzar - St. James's Piccadilly

It's always an exciting prospect to explore a lesser-known work by Handel. On this occasion, I performed Handel's oratorio 'Belshazzar' (HWV 61) from 1744, with the chorus 'Petros Singers' in a performance at St. James's Piccadilly on Saturday 25th of March 2017. Petros Singers take great pride in performing repertoire that is "often idiosyncratic, eschewing the typical canonical works in order to
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Haydn - Creation - Eton College

I performed with The Brandenburg Classical Players at Eton College on Tuesday 21st March 2017 at 8:15pm. The performance of Haydn's Creation took place in the magnificent School Hall of Eton College.The chorus was formed of the Eton College Musical Society, The Taplow Youth Choir and Wycombe Abbey School. Ed Yeo conducted the combined choirs and The Brandenburg Classical Players - all were on good
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Handel - Messiah - Wimbledon - Sonoro & Wimbledon Community Chorus

I played first trumpet in a performance of Handel’s Messiah on Saturday 18th of March 2017 at St. John’s Church, on Spencer Hill in Wimbledon. The performance involved members of the pro-choir Sonoro, the Wimbledon Community Chorus and the Sonoro Baroque Ensemble, led by Susie Carpenter-Jacobs.The performance was conducted by one of the Artistic Directors of Sonoro, Neil Ferris [who has recently
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Warwick - Haydn & Mozart

I performed Haydn’s ‘Nelson Mass’ and Mozart’s ‘Requiem’ at St Mary’s Collegiate Church in the Old Square in Warwick on Saturday 11th of March 2017. Thomas Corns directed the Choirs of St Mary’s Collegiate Church and the period instrument orchestra, led by Lucy Russell.Imogen Russell (soprano)Judy Brown (mezzo-soprano)Matthew Sandy (tenor)Edmund Saddington (bass)For Mozarts Requiem’
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Vivaldi - Gloria - St. Martin-in-the-Fields

Performing at St. Martin-in-the-Fields is always a privilege. The site on the North-East corner of London's iconic Trafalgar Square has a fascinating history dating back to Roman times (c.410 AD). A magnificent example of Neoclassical architecture, the current building was designed by architect James Gibbs and construction was completed in 1726.Concerts at St. Martin-in-the-Fields tend to attract sizeable
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Spiritato! - ‘Sound the Trumpet’ - Chichester Assembly Room

I performed the 'Sound the Trumpet' programme with ‘Spiritato’ at the Chichester Assembly Room on Thursday the 16th of February 2017. The evening included works by Purcell, Corbett, Rebel, Fantini, Legrenzi, Albrici, Matheis and Franceschini. Rehearsing Albrici in #chichester ahead of our Sound the Trumpet concert tonight! pic.twitter.com/KW9oOgb3ok— Spiritato! (@Spiritato) February 16, 2017H
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Spiritato! - HIP Class - Royal Academy of Music

On Thursday 9th of March 2017, I was involved in delivering a Historically Informed Performance Class at the Royal Academy of Music in London. Four members of the period-instrument ensemble ‘Spiritato!’ talked about their recent ‘Guts & Glory’ project - which involved discussing many of the key aspects of being a Historically Informed performer. The class focused on the pros and cons of
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Bach - Magnificat & Ich hatte viel Bekümmernis - St. Martin-in-the-Fields

On Saturday the 28th of January 2017, I performed Bach’s Magnificat [BWV 243] and the Cantata: Ich hatte viel Bekümmernis [BWV 21] at St. Martin-in-the-Fields as part of the Brandenburg Choral Festival of London.Bach's Magnificat is, of course, very well-known and it pairs excellently with BWV 21. I played a very similar programme (although it was the E-flat Magnificat) at the Leipzig BachFest
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New Year Concert - Saarbrücken - Handel - Messiah

The Evangelische Chorgemeinschaft an der Saar and Le Concert Lorrain invited me to perform in their New Year Concert, at the Congreßhalle in Saarbrücken. It took place on the Saturday 7th of January 2017. The group, directed by Georg Grün, performed Handel’s ‘Messiah’ with notable soloists from the UK and Germany.The trumpet section consisted of Russell Gilmour (1st trumpet) and William Russell
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Handel & Bach - St. Anne's Kew Green

December 2016 has consisted of several Messiah, B Minor Mass, Magnificat and Christmas Oratorio performances. The final concert before the festive season offered a similarly balanced variety of music from Handel and Bach. It featured Part I of Handel's Messiah in the first half and Bach's Magnificat in D [BWV 243] in the second half. The performance took place at St. Anne's in Kew Green, London on
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Bach - Weihnachtsoratorium - Luxembourg & Metz

After two days and two Weihnachtsoratorium performances in Germany, I travelled on to Luxembourg by train and car to join a different Weihnachtsoratorium project, this time with Le Concert Lorrain on Monday 19th of December 2016. From the starting point in Halle I went by train to Köln via Hannover - where I met the third trumpet player, Gareth. From the outskirts of Köln, we met the conductor who
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Bach - Weihnachtsoratorium - Zerbst & Halle

I performed Bach's Weihnachtsoratorium [BWV 248, Cantatas I–III & VI] with the Halle Händelfestpiele Orkester in Zerbst (17th December 2016) and Halle (18th December 2016) in Germany. I had been invited to play with the orchestra as their guest principal trumpet player. The Stadtsingechor zu Halle and the choir of Halle University joined forces to sing the Christmas Oratorio,
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Handel - 'Messiah' - Part I - Magdalen College Chapel, Oxford - Oxford Baroque

On Thursday 15th of December 2016, I performed Part I of Handel’s ‘Messiah’ in the majestic chapel of Magdalen College, Oxford. The performance featured the magnificent Choir of Magdalen College, four soloists and the orchestra, Oxford Baroque.The choir and the orchestra - led by violinist Claudia Norz - performed from the nave of the chapel with trumpeters Russell Gilmour and William Russell
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B Minor Mass - Solomon’s Knot - Shoreditch Town Hall

Solomon’s Knot Baroque Collective performed Bach’s B Minor Mass on Sunday the 11th of December 2016 at Shoreditch Town Hall in London. This, the penultimate concert of Spitalfields Music’s Winter Festival 2016, had been selected by The Times as their 'top pick' in the Classical column (written by Richard Morrison).© James BerrySolomon's Knot brought their characteristic - now trademark
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‘Bach’s Christmas Vespers 1723’ - Oxford Baroque - King’s Place

Oxford Baroque performed a programme entitled ‘Bach’s Christmas Vespers 1723’ on Saturday 10th of December 2016 at King’s Place - as part of the venue's ‘Baroque Unwrapped’ season. Jeremy Summerly conducted the choir and orchestra of Oxford Baroque throughout this fascinating programme which included liturgically-linked music by Bach, Franck, Gabrieli, Kuhnau, Praetorius and others.JS Bach
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Spiritato - Guts & Glory - York Early Music Winter Festival

Spiritato’s final 2016 performance of their ‘Guts & Glory’ programme opened the York Early Music Winter Festival on Thursday 8th of December 2016 at St. Margaret’s Church in York - home of the National Centre for Early Music (NCEM). The ensemble was led by the wonderful violinist Kinga Ujszaszi.The fun Guts and Glory project finished for 2016 in York last night. Thank you guys for all your
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Handel - Messiah - Schola Cantorum - Cardinal Vaughan Memorial School

I performed Handel’s ‘Messiah’ at St. Gabriel’s Church in Pimlico on Tuesday 6th of December 2016. The orchestra ‘Spiritato!’ and the Schola Cantorum of the Cardinal Vaughan Memorial School was conducted by Scott Price, Director of Music of the Cardinal Vaughan Memorial School. Photography by Weenson OoThe boys of the Schola Cantorum sang all of the arias, recitatives and choruses in
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